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The i-Enhance Picture Mode was used for most of these photos.Ĭlick here for a full gallery of unedited images.Īll images are copyright Ron Martinsen – ALL RIGHTS RESERVED. Most camera settings are the default with the exception of RAW+JPEG, a desired White Balance (only Shade or AWB), and a desired focus point.
The following images come straight from in-camera JPEG’s using the camera default noise reduction settings. This gives you a chance to try again in Photomatix to get better HDR results. The cool thing about this camera is that if you shoot RAW+JPEG you’ll get processed HDR’s as shown above, but you’ll also get three RAW files that comprised that HDR exposure. Once again the HDR feature does a good job of balancing the scene but the colors feel too flat for my taste in the shot below: In this last shot you can see a lot of contrast in the image but details lost I shadows of the people under the umbrellas: The in-camera HDR feature brings back the detail lost in the shadows at the expense of killing the life out of the plants. Here’s a scene where the dynamic range of this sensor just couldn’t deal with the dark building: While the image definitely a much wider dynamic range, the in-camera results often felt fake. Using it you can easily take a dark scene like this:Īnd completely ruin it as shown below. This camera features easy HDR access from a button on top of the camera body. Use the captions or the info panel for more details about each shot. This is very disappointing for a camera that allows for up to 25,600.Ĭlick here for a full gallery of bookshelf shots at various apertures and shutter speeds.
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As a result, I’ve got to say that in most scenarios ISO 800 to 1600 going to be the maximum I could tolerate with this camera. The detail comes back but noise is extreme at this low ISO in the world we live in now. This is due to poor in-camera noise reduction which can be improved using Noiseware.ġ00% Crop of the shot above at f/5.6 24mm for 1.25 sec at ISO 1600īefore the conspiracy theorist and fan boys crucify me, here’s the same spot taken from the RAW:ġ00% Crop of the original RAW of the shot taken at f/5.6 24mm for 1.25 sec at ISO 1600
If I take a 100% crop from the shot above you’ll see that the text “Your Seven”, the detail in the pages of the book and the leather texture all get obliterated.
The bookshelf test really brings out the shortcomings of the higher ISO performance of this camera. The high resolution mode seemed to offer marginally better results. Given the right conditions the image sharpness, even RAW, was often very good. Bookshelfįrom my testing it was clear that f/4 at 12mm was the sweet spot of this lens.
Indeed, on paper and at first glance it seems like a dream camera. With that said, there’s still lots of modern features like a excellent face detection system, HDR, scene modes and more all controlled via a responsive touch screen. This combined with an overwhelming array of options make it a true photographers camera. When you dig deep into the features you start noticing cool things like shutter speeds beyond the typical 30 seconds max found on other models (it goes to 60 seconds) and 1/8000 sec shutter speed. In the hands this camera feels like it should be held by someone driving a Rolls Royce and wearing a made to measure Gucci suit – it screams quality. Make no mistake that it takes great pictures in good light and the 12-40mm lens is sure to please even the most picky users.
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In the first part of my review entitled, Olympus OM-D E-M5 Mark II with 12-40mm f/2.8 PRO Lens–Crazy Sharp with Vibrant Colors, I couldn’t help but share my excitement for what this camera does well.
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