

The Trainman leaves Neo stranded, and when he tries to walk through the tunnel he just ends up at the same place over and over again.īut his people aren’t about to leave him stranded. They’re also humane enough to let him carry their luggage to act casual getting onto the train, even though why would that work and then it’s unclear if they get their suitcase back when it doesn’t. Atwal) to safety, since she was created out of love and could be deleted for not having a “purpose.” It’s not lost on Neo that these are digital creations who believe in love and karma. It’s here at the Mobil Ave subway station that we and Neo meet Rama-Kandra (Bernard White, THE ELEVENTH COMMANDMENT, THE SCORPION KING) and Kamala (Tharini Mudaliar), exiled programs trying to smuggle their daughter Sati (Tanveer K.
MATRIX REVOLUTIONS PLUS
Plus you could throw in an Ace Ventura, a Munsters, a Lestat, an Inspector Gadget, a Chronicles of Narnia and a Children of the Corn if you want to be a completist about it.)

(Spence is the king of giant franchises because in addition to THE MATRIX and MAD MAX he’s in LORD OF THE RINGS, STAR WARS, and PIRATES OF THE CARRIBEAN. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix. When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities.
